Colección de arte archivos

«LAGARTERANAS» FELICIDAD MORENO, 1997

VAT not included

«Lagarteranas» 1997

Felicidad Moreno

Acrylic and enamel on canvas.

Measurements: W 204 x D 5 x H 254

She was born in Toledo (Spain) in 1986 and she obtained one of the prizes of the II Young Art Show, organized by the Institute of Youth in Madrid. Since then she has participated in several important group exhibitions.

Her work appears in different museums and collections, such as MUSAC in León, Museo Patio Herreriano in Valladolid, LA CAIXA Contemporary Art Collection in Barcelona, Banco de España Collection in Madrid, Caja de Burgos Collection, CAB and ARTIUM Collection in Vitoria.

«SITU-ACCIONES II» DIONISIO GONZÁLEZ 2001

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Obra «Situ Acciones II» de Dionisio González, 2001

Fotografía siliconada / metacrilato

Medidas: 80 x 80 cm

«SITU-ACCIONES III» DIONISIO GONZÁLEZ 2001

VAT not included

Obra «Situ Acciones III» de Dionisio González, 2001

Fotografía siliconada / metacrilato

Medidas: 80 x 80 cm

«DERRIERE LE VIRIDIEN» RUBÉN RODRIGO 2020

VAT not included
«Derriere le Viridien 8 ″, Rubén Rodrigo Silguero2020
Oil on canvas
(861⁄2 x 633⁄4 »)

Measurements: 220 x 162 cm

“El trabajo de Rubén Rodrigo es heredero directo de la tradición modernista, entendida como un proceso de depuración sobre aquello que no es sustancial al medio pictórico (es decir, la imitación o lo literario). Partiendo de la división establecida por Lessing entre artes del espacio and artes del tiempo, el crítico Clement Greenberg construyó un sentido de la modernidad vinculado a la especificidad del medio, que tendría su reflejo en los expresionistas abstractos de los años cincuenta. Estos, en su búsqueda de una experiencia puramente visual, se situarían hipotéticamente más allá de la narración, de la época y, por tanto, del tiempo de la vida. En su relectura de aquel modernismo canónico, Rubén Rodrigo atiende también a los logros que fueron devaluados: por ejemplo, la intención simbólica, la presencia escénica, el registro del tiempo o la dimensión trascendental de la imagen. Trabaja, además, con dípticos, polípticos o amplias series, opción con la que desaloja el imperativo aparentemente insuperable del «último cuadro» que representan, por ejemplo, las pinturas blancas de Ryman o las negras de Reinhardt.

En sus últimos proyectos, la apropiación abstracta le permite sostener un ejercicio interpretativo acerca de diversos capítulos de la tradición, desde una posición humilde y abierta al constante descubrimiento. Así, de El Greco le interesa fijarse en aquello que constituye su extravagante rareza, y que será motivo de numerosos balances históricos y críticos, sobre todo desde la polémica monografía de Cossío en 1908. Entre sus fidelidades modernas, el expresionismo abstracto americano y otras poéticas próximas son referencias ineludibles, como también lo es la pintura (neo)figurativa de Francis Bacon.”

«OUR BREAD OF EVERY DAY I» ALEJANDRO ORTIZ, 2005

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Our daily bread I, 2005

Oil on canvas

Alejandro Ortíz

Measurements: W 152 x H 213

AWARDS
2005 Award Fernando Botero, Honorable Mention, Bogotá, Colombia
2000 Bronx Museum, Artists in The Marketplace, Bronx, NY, USA
1999 Award from Ministry of Culture and Tourism to create a mural in the city, Bogotá, Colombia
1998 First Prize, XXXVII National Salon of Artists, Bogotá, Colombia
1997 Regional Salon of Artists, Mention, Bogotá, Colombia

INDIVIDUAL EXPOSITIONS
2008 Plexus, Galerie b-146, Zürich, Switzerland
2006 Plexus, El Museo Gallery, Bogotá, Colombia
2003 Hedi Khorsand Gallery, LA Art International, Los Angeles, CA. USES
2003 Hedi Khorsand Gallery, LA California. USES

ANDY DANDY (TEN), THE HILTON BROTHERS 2007

VAT not included

Andy Dandy (TEN), 2007

Pigmented inks on archival photographic paper. Edition 5/5.

These diptychs from the tandem The Hilton Brothers combine the "Altered Image" portraits made in a collaboration between Makos and Andy Warhol and the flowers from Solberg's "Bloom" series. Makos created this series of portraits in which he used everyday elements to create and alter individuality. Solberg used light and isolation to pay homage to the real beauty of flowers, not their superficial beauty. As a tribute to Warhol's passion for flowers, the two decide to create these very beautiful but profound diptychs, a conceptual song dedicated to sincere beauty.

The hilton brothers (Christopher Makos and Paul Solberg) A couple of New York photographers whose work has been exhibited internationally in museums and galleries, including La Casa Encendida (Madrid), Galerie Catherine Houard (Paris), Galerie Sho Contemporary Art (Tokyo), Christopher Henry Gallery (New York), Karl Hutter Fine Art (LA), and NSU Art Museum.

Measurements: W 165 x H 110 cm

ANDY DANDY (FOUR), THE HILTON BROTHERS 2007

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Andy Dandy (FOUR), 2007. The Hilton Brothers (Christopher Makos and Paul Solberg)

Pigmented inks on archival photographic paper. Edition 5/5.

The hilton brothers (Christopher Makos and Paul Solberg) These visual storytellers explore the freedom and parameters of collaboration, a shared language that is spoken through their images and collage. His most notable works are in the series, "Speed" (2006), "Andy Dandy" (2007), and "Narrative" (2009) and "Conscience" (2007). They share numerous publications, such as Mistaken Identity (2009) and their work, Tyrants + Lederhosen (2011). His work has been exhibited internationally in museums and galleries, including La Casa Encendida (Madrid), Galerie Catherine Houard (Paris), Galerie Sho Contemporary Art (Tokyo), Christopher Henry Gallery (New York), Karl Hutter Fine Art (LA), and NSU Art Museum, and more recently the Macedonian Museum of Contemporary Art.

Measurements: W 165 x H 110 cm

RUBÉN RODRIGO SILGUERO, COBALTO, 2017

VAT not included

Cobalt, 2017

Oil on canvas.

Ruben Rodrigo Silguero

Measurements: W 162 x H 220

Training

1999-2004 BA Fine Arts. University of Salamanca

2016 VEGAP Proposed Plastic Arts Grant

2005-2006 Grant from the Antonio Gala Foundation for young creators

Individual expositions

2019 The Light and the Fury. Fernando Pradilla Gallery. Madrid

2018 The Light and the Fury. DA2 Domus Artium 2002. Salamanca

2017 Sumi_RGB. Castellana 22. Madrid

(Remember) Take out the Trash. Only Project. Dating House. HybridFest. Madrid

2016 Hyena Skin. Factory. Madrid

2014 Shades of Ash. Valverde Gallery Space. Madrid

Collective exhibitions (Selection)

2018 Mars. Castellón International Art Fair. Only Project. Nape Space

Illustrated Nepotism II. Carolina Jaén.

2017 Otra Puta Bienal Más. Gallery 6 + 1. Madrid

End of season. Gallery 3 ° —4. Madrid

#StickersArt. PAC. Print 2017. Madrid

VEGAP2016 Proposals. Circle of Fine Arts. Madrid

View Lounge I. Madrid

Dialogues Artbanchel. Ship6. Madrid

Posmandanga. Fallow. Madrid.

2016 100 ° —100. The Makers. Madrid

II FAC (Art Fair in my House). Cobeña. Madrid

Heimlich. Micro-residences in bed. Room AF#5. Madrid

2015 Illustrated Nepotism. Fernando Pradilla Gallery. Madrid

Iberencontros 2015. Castelo Branco. Portugal

Awards, Workshops and Scholarships

2016 VEGAP Proposals 2016. Plastic Arts. Madrid

2005-2006 Antonio Gala Foundation. Scholarship for Young Artists. Cordova

2004 Summer Course in San Lorenzo de El Escorial with Juan Genovés. Madrid

Pablo Ruiz Picasso Workshop with Soledad Sevilla at the Unión Fenosa Museum of Contemporary Art. MACUF. Corunna

2003 First Prize. VII Edition of the San Marcos Prize of the University of Fine Arts

Salamanca arts. Palace of the Salina.

2002 Art, body and technology. With Orlán and David Nebreda. Salamanca.

THENORDICWEIGHTLESSNESSNIGHT#2 JUAN FRANCISCO CASAS, 2017

VAT not included

Juan Francisco Casas

Thenordicweightlessnessnight#2, 2017

BIC colored pen on paper.

Juan Francisco Casas Ruiz 1976: He has had numerous individual exhibitions highlighting (He) artbroken (Jonathan Levine Gallery), Saturdaynigthbathroom, Bare (ly) there and Foreignaffairs, (A) utopic (Fernando Pradilla Gallery, Madrid, 2005, 2008, 2010, 2014 respectively), After (h) ours (El Museo Gallery, Bogotá, Colombia 2011), MyLovingNation (Ferrán Cano Gallery, Palma de Mallorca, 2007), Sacrebleu! (Galería Sandunga, Granada, 2006), Mis (s) behave (Sala Rivadavia, Diputación Provincial de Cádiz, 2006) and participated in the most important art fairs in the world, as well as in almost all editions of ARCO since 2002 Exhibitions in New York, Miami or Chicago to Seoul, Singapore, London, Paris, Mexico or Basel, among many others, have featured his work and he has received numerous national and international awards and scholarships.

W 148 XD 5 XH 208

BOSCO SODI 2012

VAT not included

GAA21 - 12 / BS 0147

Mixed media on canvas, Bosco Sodi 2012.

Bosco Sodi (b.1970, Mexico City) is known for his large-scale, richly textured and vividly colored paintings. Sodi has discovered an emotional power within the essential rawness of the materials she uses to execute her paintings. Focusing on material exploration, creative gesture, and spiritual connection between the artist and his work, Sodi seeks to transcend conceptual barriers. Sodi leaves many of his paintings untitled, with the intention of eliminating any predisposition or connection beyond the immediate existence of the work. The work itself becomes a memory and a symbolic relic of the artist's conversation with the raw material that led the painting to creation. Sodi's influences range from informal art, from artists like Antoni Tàpies and Jean Dubuffet, to colorful masters like Willem de Kooning, Mark Rothko,

Measurements: W 186 x H 186 cm

PAULA ANTA «BUSANO 02» ARTIFICIAL PARADISES SERIES 2008

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Photograph of Paula Anta "Busano 02" from the series "Artificial Paradises". 2008.

Artificial Paradises aims to be a very specific paradise of its own, in a very specific place. Paradise is a "hedge" created by men. It is a place of perfection in nature, of conciliation with our origin, of serenity towards what is close. The paradises are there, they await us, we earn them at times, they expel us from them to recriminate (ourselves) with their existence

Artificial Paradises is held in the three most important cities of South Korea: Seoul, Busan and Daegu.

Paula Anta He was born in Madrid in 1977, graduated and received a doctorate in Fine Arts with an international mention. His academic and research training has been developed, in addition to Spain, in Frankfurt (Atelierfrankfurt artistic creation scholarship) and Cologne (Germany), Colegio de España in Paris (France) 3 and the Royal Academy of Spain in Rome (Italy). He has also carried out projects in Senegal, Lebanon, Syria, Egypt, Turkey, Morocco, as well as in India and South Korea or in Latin American countries such as Peru (Pillpa 10 photographic project), Ecuador, Brazil and Venezuela, from which some have emerged. of his series.

Measurements: W 158 cm x H 188 com

PAULA ANTA «BUSANO 03» ARTIFICIAL PARADISES SERIES 2008

VAT not included

Photograph of Paula Anta «Busano 03» from the series «Artificial Paradises». 2008.

Artificial Paradises is held in the three most important cities of South Korea: Seoul, Busan and Daegu.

Measurements: W 158 x H 188 cm

PAULA ANTA «SEUL 01» ARTIFICIAL PARADISES SERIES 2008

VAT not included

Photograph of Paula Anta "Seul 01" from the series "Artificial Paradises". 2008.

Artificial Paradises is held in the three most important cities of South Korea: Seoul, Busan and Daegu.

Measurements: W 158 x H 188 cm

PHOTOGRAPH BY MÓNICA SÁNCHEZ-ROBLES

VAT not included

Cyan color photograph of the series, “Flores de color”, technique printed on photographic paper.

Monica Sanchez-Robles is a multidisciplinary artist currently living in Madrid, although he has lived for years in France and Italy. She has a degree in Fine Arts from the Complutense University of Madrid, from the BBAA of Granada, does her doctorate studies, continues her training in digital photography at the EFTI School of Photography in Madrid, and did her postgraduate studies at Parsons Paris School of Design in Paris. He has exhibited individually in galleries in Spain and France. In addition, he has exhibited collectively at various exhibitions and fairs in France, Spain, Miami, London and Switzerland.
Measurements: W 120 x H 160 cm

PHOTOGRAPH BY MÓNICA SÁNCHEZ-ROBLES

VAT not included

Magenta color photograph of the series, “Flores de color”, technique with printing on photographic paper.

«SOUVENIR 49» CÉSAR DELGADO 2013

VAT not included

Souvenir 49 E. Ed. 3/5, 2013
Digital printing and resin on dibond
(59 x 523⁄4 ″)

Cesar Delgado

Measurements: W 110 x H 137 cm

The work of Cesar Delgado it could be compared to a scientific laboratory in which a world of tiny creatures is observed under a microscope. Meandering, twisted shapes intertwine in the fabric, delimiting paths with traces of coagulated liquid color. Like eels hatched in a tank of water, Delgado's signs vibrate with autonomous, independent life. Earthy browns mix with pure white and crawl through the space of the painting in twisted baroque convolutions. Suddenly, horizontal bands delimit and close the scene remembering that the scientific world is that of the artist where a precise, physically defined brushstroke takes us back to the world of the cold, impersonal and sharp brushstrokes of Lichtenstein.

It is the painting for the sake of painting, the abstraction for the abstraction, the work for the work. There is no pathos. Everything exists and can therefore be examined, studied like on an anatomy table. Delgado arranges the pieces of the painting for the autopsy of art history, acts as a paleontologist who breaks the stones so that fossil shells from the Jurassic period come to light. Spiral corneas, splintered bones, segments of foliaceous sheets vibrate in these slipped paintings of his own work in which a vague memory of Kandinsky merges with a problematic pop optic.

INDIVIDUAL EXPOSITIONS

2012 «Informatismo», Tomás y Valiente Art Center, Fuenlabrada
«Informatism«, Space2. The Museum Gallery. Bogota Colombia

2010. «Informatismo», Fernando Pradilla Gallery, Madrid.

2009. Art Madrid Project Room

2007. “Derivados de Pintura”, Fernando Pradilla Gallery, Madrid.

2005. "Taxidermias", Fernando Pradilla Gallery, Madrid,.

2003. Dahl Gallery of Contemporary Art, Lucerne.

2002. Les filles du Calvaire Gallery, Paris.

1999 . Gallery Ars Vivendi, Munich.

1998. Valle Quintana Gallery, Madrid.

1997. Barrio y Valle Quintana Gallery, Madrid.

1994. MW Gallery, Madrid.

1993. Sala Pradillo, Madrid.

1988. Athenaeum of Madrid.

"LOOPES (17)", HAPPINESS MORENO 2001

VAT not included

Loops (17), 2001

Enamel and varnish on canvas

Felicidad Moreno

Measurements: W 175 x H 265 cm

«BAUEN II» EMILIO PEMJEAN 2013

VAT not included

Housing for a new man (Immeubles-Villa. Le Corbusier). No specific location, not built. 1922-29
Mineral pigmented inkjet digital printing, cotton paper
Hahnemühle Photo rag, frame and glass. Edition 5 + 2P.A

Emilio Pemjean : Born in 1971 in Chile. Architect by the Higher Technical School of Architecture of Madrid.
In his work as an Architect he has been awarded in numerous architectural competitions, his work exhibited, published in books and magazines and received various awards such as: Toulouse Photo Contest, “AL Betrayal” EFTI Madrid, “FNAC Photography Contest” Madrid, etc. He conducted workshops with famous artists such as Chema Madoz, Ciuco Gutiérrez, Manuel Rufo, Jesús Micó, etc.

Measurements: W 140 x H 140 cm

«BAUEN III» EMILIO PEMJEAN 2013

VAT not included

Housing for a new man (Immeubles-Villa. Le Corbusier). No specific location, not built. 1922-29

Mineral pigmented inkjet digital printing, Hahnemühle Photo rag cotton paper, frame and glass. Edition 5 + 2P.A.

Measurements: W 140 x H 140 cm

«S / T» ROBERTO RUIZ ORTEGA

VAT not included

S / T June 96
Oil

Roberto Ruiz Ortega, heir to North American expressionism, with broad vertical brushstrokes he creates chromatic fields that are superimposed by constructivist layers with his own language based on his personal plastic universe.
He has been awarded with the acquisition of his work for the 2002 Generation of Caja Madrid Awards. He has participated in many individual exhibitions and his work is present in: Museo Nacional Centro de Arte Reina Sofía, Galician Center of Contemporary Art, Coca Cola Foundation, Artium Museum of Vitoria, Caja Madrid Collection, BBK Foundation Collection, Vizcaya Provincial Council. , Collection Banco Central Hispano, or the International Investment Bank of Luxembourg among others.

Measurements: W 200 x D 200 cm